The JS-1E is an economic version of JS-1, but does not provide the PAD and LOW CUT function switches and circuitry of the JS-1 and does not include the spider type shock mount that is included with the JS-1.
Based on the successful experience of JS-1 series, the JS-22 is designed for instrument miking from strings to percussions. The JS-22 is built on a solid brass with accurate processing. The 1/2” golden plated diaphragm is manually assembled by JTS craftsman. The precise designed circuit with low cut and pad feature provides flat response. This microphone royally reproduces any kinds of instruments and vocals.
The SX performance series is designed with JTS newest capsule SAM-8LN. The capsule is machined and assembled on solid steel bar for maximum accuracy and therefore acoustic characters. The precise engineering assures outstanding performance. The smooth frequency response across the full spectrum and accurate directional character provide maximum gain before feedback. The advanced mechanical design minimizes handling noise. The SX series is ideal for large venue. The SX-7/SX-7S are designed for optimal warmth and clarity. The outstanding pick-up pattern and sound quality make SX-7/SX-7S ideal for vocal, drums, guitar amplifiers and other instruments.
The CX-500 provides clean, detailed and natural sound quality with a subminiature condenser capsule. The tailed response curve works best with string instruments like violin and guitars besides many other instruments. Various mount kits are bundled for best fit to any kind of instruments. With sophisticated capsule technology and tailored fixtures the CX-500 can pick up every trill of strings. The bundled MA-500 adapter makes CX-500 capable for both wired and wireless application.
The NX-9 is innovated for overheads, hi-hat, acoustic guitar and other instruments. The NX-9 provides extended frequency response and enlarged dynamic range. It delivers smooth and transparent reproduction.
The NX-8.8 is created for studio quality sound in live performance vocal. Smooth and tailored frequency response provide vividness, accuracy and warmth for vocal. Excellently accurate pick-up pattern provides the best gain-before-feedback. Specially designed filter effectively minimizes breath pop, stand and handling noise.
Based on the success of X-series performance microphones NX-8/NX-8S reenhance overall performance. NX-8/NX-8S provide extended frequency response and dynamic range for cleaner and smoother sound. The shock mount keeps handling noise to extremely low level. Reinforced cartridge and hardened grille make NX-8/NX-8S one of the most rugged mics in the professional microphone industry.
The NX-7/NX-7S are designed for optimal warmth and clarity. The outstanding pick-up pattern and sound quality make NX-7/NX-7S ideal for vocal,drums, guitar amplifiers and other instruments. The dynamic shock mount keeps noise to a remarkable low level. The top-flat grille allows mic. cartridge closer to a sound source to maximize low frequency proximity effect.
The JTS CX-509 Condenser Microphone is a compact low profile microphone designed for versatile placement around the sound source. Its wide frequency response, low noise characteristics, low distortion have made the JTS CX-509 a popular choice in studio and performance applications. Excels as an Overhead Cymbal and Hi-Hat microphone as well as for Tom Toms, Percussion, and Acoustic Guitars.
The JTS TX-9 Cardioid Condenser Microphone offers exceptional clarity and warmth for acoustic instruments: guitar, piano, hi-hats, snare drum, overheads, percussion and as well as choirs. Its performance rivals that of condenser microphones at much higher cost.
The JTS TX-8 Dynamic Vocal microphone delivers superb performance at a modest cost. The tight cardioid pattern provides excellent off-axis rejection minimizing feedback and undesired background stage noise. The TX-8’s internal shock mount greatly reduces handling noise when used in a handheld application or when placed on a Mic stand.
The JTS TX-7/TX-8 Dynamic Vocal microphone delivers superb performance at a modest cost. The tight cardioid pattern provides excellent off-axis rejection minimizing feedback and undesired background stage noise. The TX-7/TX-8’s internal shock mount greatly reduces handling noise when used in a handheld application or when placed on a Mic stand.